Sunday, January 24, 2010

Barely Tapping


Hi Everybody. Robin here... The pondering has begun.

Question: How to keep true to the wonderfully painted SharonG canvas, and yet, put my own spin to it? The Tap Pants have nicely painted silver highlights conveying the flowing fabric. I tried several different stitches & threads, but realized the stitched silver highlights were trying to steal the show.

My Solution: I decided to use a Barely There approach. (Shameless plug: DVD #6, Barely There.) For the black Tap Pants, I used 1 strand Soie Perlee Noir and the previously diagrammed "Victorian Step." This vertical stitch allows the painted canvas silver highlights to shine through; a nice effect.

An apology to the readers: Looks like I've entered a Bermuda Triangle vortex: Barely There technique, Black Paint and Black thread. Oops, I just realized this might be hard to see. So sorry. Things will start to pick up... Hang with me, if you can.

3 comments:

  1. Try putting a sheet of red paper behind the canvas before you take the photo. It might make the white canvas look a little pink but it might also help us see the stitch on the tap pants. I often use colored construction paper behind the scans I do for Blog. I put my canvas face down on the scanner bed and cover with colored paper.

    Very creative choice, by the way. I love light coverage stitches and I bet the Victorian step looks great in person.

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  2. Thanks, Jane, for the wonderful suggestions. I have a pack of construction paper just waiting for this chance to be helpful. Oh, and the scanner... I forgot about the scanner. Plus I am going to try the hand-held flash soon which will help get the light off the side. The camera mounted flash does seem to blast away a lot of the detail. Ever striving to be like Jane...

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  3. To stitch black on black, use an LED light. It turns the black to blue black and is easier to see. My students want to hug me when I show them this trick. Only works with LED lights since it is a blue light.
    SharonG

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